We will only entertain request of refunds for donations sent to We reserve the right to reject a donation.The donation is non-refundable once the font has already been emailed to the donor.This is to give allowance for time zone differences. Give us 24 hours, at most, to send you the font.Donations for other fonts should be made separately. In the same way, donations for other fonts will not apply as donation for the Liverpool FC 2018/2020 Cup font. We will only honor donations for Liverpool FC 2018/2020 Cup that is made to our PayPal account, A donation for the Liverpool FC 2018/2020 Cup font does not apply to other fonts that may also require a donation.You are not allowed to use the Liverpool FC 2018/2020 Cup font as a webfont.Let us know if you want the donation to be anonymous so that your name won't be mentioned on the page. We give credit to those who make a donation.The font will be sent to the email address used to make the PayPal donation. Send us an email at and let us know about the donation that you just made.Make sure that you are making the donation to Provide other information required by PayPal and follow instructions from PayPal.Enter the amount that you want to donate and, as earlier mentioned, please be generous.Go to PayPal by using this donation link.I only hope that mister Justus Erich won’t pull me by the ear when we’ll meet on the other side. Resulting 8-member family Walbaum 120 is naturally usable in variety of sizes, as well as cuts marked “10” you can use, say, from 6 to 30 points. I ended up at the size of about 120 points, where it became obvious that any further thinning would lead to an undesired manneristic fragility. I took the 10-point character, magnified it enormously and cut off progressively all the optically thickened bobbles which raised by small-size correction. Therefore I didn’t set forth the way of modernizing (shame!), but rather the opposite direction: towards an analysis of the original neo-classical intention. Because I obviously cannot compete with world’s renowned type foundries which already offer a number of renderings of forenamed typeface, I thought proper to decline a bit from the original Walbaum’s design, strictly speaking, from the apprehension we commonly keep about this typeface. Upon numerous demands of highly esteemed users of our fonts I decided to supplement the Walbaum type family by display and poster cuts.
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